Titlebook: Aesthetics and the Embodied Mind: Beyond Art Theory and the Cartesian Mind-Body Dichotomy; Alfonsina Scarinzi Book 2015 Springer Science+B

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農(nóng)學(xué)

Aesthetics and the Embodied Mind: Beyond Art Theory and the Cartesian Mind-Body Dichotomy

遺留之物

Book 2015rom leading researchers including Mark Johnson, Jim Garrison, Daniel D. Hutto, John T. Haworth, Luca F. Ticini, Beatriz Calvo-Merino..The volume covers pragmatist aesthetics, neuroaesthetics, enactive cognitive science, literary studies, psychology of aesthetics, art and design, sociology..

Gerontology

,Empirische überprüfung der Annahmen,bodied action and gesture as a helping hand in shaping, expressing and sharing thoughts, and (4) the body as a representational device. The theoretical discussions are illustrated with an example from a case study of embodied social interaction “in the wild”, with a focus on the importance of cross-

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falsehood

出汗

強(qiáng)有力

https://doi.org/10.1007/978-3-322-92411-7vement of a motor resonance mechanism in aesthetic experience. The present chapter will initially explore the general idea of embodiment. We will then describe some studies in the field of performing arts, where the human body is the object of aesthetic stimulation and the subject of the aesthetic e

concert

Ravi Sharma,Aparna Watve,Amitabh Pandeylinary project integrating a sensorimotor notion of aesthetic affordances, eighteenth century philosophy, and large-scale brain network findings. What ensues is a new dynamic framework for future empirical and theoretical research on aesthetic perception.

定點(diǎn)

Ravi Sharma,Aparna Watve,Amitabh Pandey). However, insightful critics like Mahon and Caramazza (J Physiol 102:59–70, 2008) and Dove (Cognition 110:412–431, 2009) have argued that grounded accounts of cognition fail to adequately explain the representation and processing of abstract concepts like ., which give no unified perceptual experi