Titlebook: Woman in Lars von Trier’s Cinema, 1996–2014; Ahmed Elbeshlawy Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Lars von Trie

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,,: The Gift, Grace’s Desire and the Collapse of Ideology, however, is that it takes the black body on a Lacanian detour from sublime to soil, from fantasy to feces; in other words, from the Lacanian objet petit a to the gift. And, as a gift, the same black body loops back and transforms itself again into the objet petit a. It is at this point that . goes

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The Deployment of the Impossible , in ,,l the evils done to woman throughout history that marks the film’s deepest insight into the human condition as such, beyond gender politics. Two stylistic traits in . play major roles in communicating its unsettling message: the employment of voices and sounds, and the employment of the sexual scene

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tempt is perennially ill-fated. And it is this failure that not only fosters viewing enjoyment but also gives the films their political importance, elevating them above both commendations and condemnations of feminist discourse..978-3-319-82143-6978-3-319-40639-8

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: Woman as a Proponent of Real Politics,litics and subversion of Hollywood’s cinematic techniques, much less attention is given to the fact that it is as much a film about a woman in mourning and, precisely because of its unprecedented and . abandonment of the normal, fictional or traditional ways of filmmaking, it can be considered von T