Titlebook: Woman in Lars von Trier’s Cinema, 1996–2014; Ahmed Elbeshlawy Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Lars von Trie

強(qiáng)化

Breach

: Woman as an Ideological Cinematic Tool,e not just a stylistically anti-Hollywood, as well as thematically anti-American, film, but even an . film with its depthlessness and formal organization, which perhaps make it the ultimate staged film. What is more important, however, from this work’s perspective, is that, as a parody of American i

Ablation

Genome

馬賽克

反復(fù)無常

使害怕

opportune

Neonatal

美麗的寫

https://doi.org/10.1007/978-3-319-40639-8Lars von Trier; Woman; Pornography; Violence; Breaking the Waves; Idioterne; The Idiots; Dancer in the Dark