Titlebook: Wallace Stevens across the Atlantic; Bart Eeckhout (Associate Professor of English and Book 2008 Palgrave Macmillan, a division of Macmil

歌唱隊(duì)

Introduction: The Lights of Norway and All That a realm that is at once dynamic and open-ended. Our primary aim in putting together this book is to reconsider Stevens’ development as he responds to intermingling influences from two different continents. In particular, we want to explore the nature of a poetics that may be called ‘Transatlantic’

針葉類的樹

macrophage

‘The Switzerland of the Mind’: Stevens’ Invention of Europeens and his wife were able to make a leisurely sea voyage through the Panama Canal, and, on other occasions, he went on to vacation in places like Florida and Maine. He also made a couple of brief visits to Cuba. Eventually, he had the means financially to make a journey across the Atlantic, even as

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Stevens in Connecticut (and Denmark)vard from 1948 to 1952. I bought, and still have, the separate volumes of his poems, available one by one before the . appeared. Though I did not read William Carlos Williams seriously until much later, when I was writing ., I heard both Stevens and Williams give readings at Harvard around 1950. I r

百科全書

頭腦冷靜

Stevens’ Europe: Delicate Clinkings and Total Grandeuritage and identity, and all of European culture, too, for that matter, because in the beginning they were almost all Europeans. They all have a share of Whitman’s inclusiveness and eclecticism. The British, in their very successful insularity, even now do not accept American literature as part of th

Bricklayer

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Nicholas Moore, Stevens and the Fortune Presswas the third of Baudelaire’s four spleen poems, the one beginning:.The three winners would receive copies of ., edited by Robert Lowell and illustrated by Sidney Nolan, and to show how it might be done, the paper printed two earlier translations, one by Lowell and the other by Roy Campbell. In an a

hair-bulb

A Ghost Never Exorcized: Stevens in the Poetry of Charles Tomlinsonok their Modernist American contemporaries Ezra Pound and T. S. Eliot (the fact that London was the centre of operations for the two latter poets is of course relevant). Charles Tomlinson, one of the most ‘Americanized’ of the British poets to come to prominence in the 20 or so years following the S