Titlebook: Wallace Stevens across the Atlantic; Bart Eeckhout (Associate Professor of English and Book 2008 Palgrave Macmillan, a division of Macmil

到凝乳

書目名稱Wallace Stevens across the Atlantic影響因子(影響力)




書目名稱Wallace Stevens across the Atlantic影響因子(影響力)學(xué)科排名




書目名稱Wallace Stevens across the Atlantic網(wǎng)絡(luò)公開度




書目名稱Wallace Stevens across the Atlantic網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Wallace Stevens across the Atlantic被引頻次




書目名稱Wallace Stevens across the Atlantic被引頻次學(xué)科排名




書目名稱Wallace Stevens across the Atlantic年度引用




書目名稱Wallace Stevens across the Atlantic年度引用學(xué)科排名




書目名稱Wallace Stevens across the Atlantic讀者反饋




書目名稱Wallace Stevens across the Atlantic讀者反饋學(xué)科排名

Affirm

刻苦讀書

adequate-intake

Stevens in Connecticut (and Denmark) I suppose Stevens was not really wearing high-button shoes and a celluloid collar, he might as well have been. He looked like an overweight insurance executive, which he was. I remember he read ‘Credences of Summer’ (‘Now in midsummer come and all fools slaughtered’ [. 322]) and ‘Large Red Man Read

Condyle

A Poetics of Ignorance: António Ramos Rosa and Wallace Stevens ideas, and it was peopled with what immediately appeared to me as Stevensian rocks, green leaves, lamps, fires, houses, spaces, places-not-our-own and places-made-ours by the poet’s words, poverty, whiteness, deserts, absences, repetitions, wide waters, fertile barrenness, the speech of the mortal

小爭吵

A Poetics of Ignorance: António Ramos Rosa and Wallace Stevens ideas, and it was peopled with what immediately appeared to me as Stevensian rocks, green leaves, lamps, fires, houses, spaces, places-not-our-own and places-made-ours by the poet’s words, poverty, whiteness, deserts, absences, repetitions, wide waters, fertile barrenness, the speech of the mortal

CHOP

增強

Reading Stevens in Italianh translation in book form appeared only in 1963, and Stevens is still ignored by major publishers. This lucky Italian record was largely due to the foresight of Poggioli, who at Harvard had an inside view of what was what in American poetry, and whose aesthetic sensibility (he was a comparatist and

palette

subordinate

nal philosophies of mind, that can be used to support the idea that a theory of knowledge must begin with the individual and, so to speak, work outwards. Wittgenstein took the opposite approach. Instead of approaching public knowledge via individual experience, he approached the intimacies of the se