Titlebook: Video Games and Environmental Humanities; Playing to Save The Kelly I. Aliano,Adam Crowley Book 2024 The Editor(s) (if applicable) and The

諷刺滑稽戲劇

不能妥協(xié)

A New Digital Ecology: , and Thing-Power Materialismiling the ways in which . expresses a new ecological perspective—an object-oriented ontology. My exploration considers the robotic appendage used by the main character, Sam, to safely traverse a ruined North America. This tool is known in the game as the Odradek Terrain Scanner. Full functionality o

arabesque

Wilderness Ecologies in , and nology. . seems to operate as an elegy to a lost time of rugged individualism, open frontier, and a mythologized America while . reads more as a postapocalyptic jeremiad which warns us of the possible consequences of an overreliance on technology for military as well as environmental purposes. Despi

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奇怪

Call Me Corvo: Reading Kinship in , Through the Lens of a rich engagement with Dishonored, in which opportunities for the player to consider their own moral positionality, and the game’s connections between the objectification of animals and sociopolitical corruption, offer a relevant perspective on our current climate crisis and kinship failures. .’s to

出沒

Climate Change Ethics in ,: Weirding, Disquietude, Choicelimate change, nor an ethical game, insofar as it has no structured ethical framework. Yet the human-destroyed Earth, planetary colonization, and mission to “save the world” from a “season of death” evoke deeply controversial ethical debates about climate (in)action, responsibility, and redemption.

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