Titlebook: Visual and Other Pleasures; Laura Mulvey Book 1989 Laura Mulvey 1989 cinema.feminism.film

COMMA

Visual-Acuity

帶來的感覺

Changes: Thoughts on Myth, Narrative and Historical Experiencevant-garde aesthetics that had such influence then. After the 1983 election and into 1984, I began to feel that work I considered to be ongoing, in the present tense, had shifted into the past to become identified with the previous decade. My formative experiences, desires and failures that had to d

Thyroid-Gland

compose

并入

Laura Mulveyrors to take into account any heteroskedasticity that might be present. The use of logarithms to mitigate heteroskedasticity is discussed, and an approach to discriminating between linear and logarithmic regression models is proposed.

奴才

意外

Fears, Fantasies and the Male Unconscious , ‘, Don’t Know What is Happening, Do You, Mr Jones?’he penis, the absence of which is the cause of the horror. This is a confirmation of the technical rule according to which a multiplication of penis symbols signifies castration. (Freud, ‘The Medusa’s Head’)

dissolution

Visual Pleasure and Narrative Cinema. It is helpful to understand what the cinema has been, how its magic has worked in the past, while attempting a theory and a practice which will challenge this cinema of the past. Psychoanalytic theory is thus appropriated here as a political weapon, demonstrating the way the unconscious of patriarchal society has structured film form.

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