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Titlebook: Visual Power and Fame in René d‘Anjou, Geoffrey Chaucer, and the Black Prince; SunHee Kim Gertz Book 2010 Palgrave Macmillan, a division o

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書目名稱Visual Power and Fame in René d‘Anjou, Geoffrey Chaucer, and the Black Prince
編輯SunHee Kim Gertz
視頻videohttp://file.papertrans.cn/984/983768/983768.mp4
叢書名稱The New Middle Ages
圖書封面Titlebook: Visual Power and Fame in René d‘Anjou, Geoffrey Chaucer, and the Black Prince;  SunHee Kim Gertz Book 2010 Palgrave Macmillan, a division o
描述Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how René d Anjou (1409-1480), Geoffrey Chaucer s House of Fame (ca. 1375-1380), and Edward the Black Prince (1330-1376) explore fame s visual power. While very different in approach, all three individuals reject the classical suggestion that fame is bestowed and understand that particularly in positions of leadership, it is necessary to communicate effectively with audiences in order to secure fame. This sweeping study sheds light on fame s intoxicating but deceptively simple promise of elite glory.
出版日期Book 2010
關(guān)鍵詞Chaucer; Geoffrey Chaucer; Middle Ages
版次1
doihttps://doi.org/10.1057/9780230106536
isbn_ebook978-0-230-10653-6Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightPalgrave Macmillan, a division of Nature America Inc. 2010
The information of publication is updating

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Visual Power and Fame in René d‘Anjou, Geoffrey Chaucer, and the Black Prince978-0-230-10653-6Series ISSN 2945-5936 Series E-ISSN 2945-5944
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Fame and ,poetic accomplishment does not emphasize the effort or creativity put into his poetry, in spite of the fact that it is the poet’s work that is being celebrated. Instead, the .’ last lines highlight his reward:
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