Titlebook: Visual Imagery and Human Rights Practice; Sandra Ristovska,Monroe Price Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 hum

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Images and Human Rights, contemporary human rights practices. It stems from the recognition that images are no longer merely an illustration on the side or just a vehicle for advocacy; they have become a critical evidentiary tool and a mode of information relay on their own terms as well. The chapter thus looks at how the

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50 Years of Documentation: A Brief History of the Audiovisual Documentation of the Israeli Occupatioos about this subject, one might wonder: What has all this documentation achieved? What has been the documentation’s role in this tragic piece of history? What has been the relationship between the audiovisual documentation of the Israeli Occupation and the reality it claims to portray? This chapter

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A Convergence of Visuals: Geospatial and Open Source Analysis in Human Rights Documentationle in human rights investigations. The author provides several case studies, showing how human rights groups use satellite images and citizen media to visually communicate a pressing human rights issue to a large audience and key decision-makers. It is the very combination of these two media that de

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The Rise of GEOINT: Technology, Intelligence and Human Rightsntal changes in the international community’s response to humanitarian and human rights crises. Part of this development involves a growing reliance upon technology designed for the modern battlefield but adapted for peacekeeping operations, which has resulted in the emerging field of human rights-o

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Malcontent

Simon Srebnik: Narratives of a Holocaust Survivories of Holocaust survivor Simon Srebnik between 1945 and 1997. He argues that audiovisual transmission communicates the survivors’ body language, voice texture, and moments of silence that are as critical for understanding trauma as the content of the testimony itself. By contrasting and comparing t

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