Titlebook: Visual Imagery and Human Rights Practice; Sandra Ristovska,Monroe Price Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 hum

MAUVE

Sexual Violence in the Field of Visionitical theory for thinking about how sexual violence functions as a central technology of sovereignty and how we might make this phenomenon more perceptible. The paper explores the ways photographs can become evocative objects—tools that can help spectators digest the ways sovereign forms of power are brokered across and through women’s bodies.

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相符

Factorable

Communicating Justice in Film: The Limitations of an Unlimited Field of the production of the court’s documentary films. This chapter provides an overview of how the ICTY Outreach tackled these issues to produce a visual legacy for the first modern, international war crimes tribunal.

等級的上升

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陰謀

A Change of Perspective: Aerial Photography and “the Right to the City” in a Palestinian Refugee Cam Shamali with reference to the rich and complex history of aerial photography, often associated with military surveillance and targeting; the security implications of mapping and the questions about the uses to which maps may be put; and the political, symbolic, and conceptual issues that arise from mapping a refugee camp with DIY technology.

Diskectomy

Contested Visualities: Courage and Fear in the Portrayal of Rio de Janeiro’s Favelascle 19 about the right to communicate. I thus argue that the production of contested visual representations of Rio’s favelas emergent from both mainstream and community sources is a significant contribution to the favela residents’ struggles for human rights.