Titlebook: Visual Devices in Contemporary Prose Fiction; Gaps, Gestures, Imag Simon Barton Book 2016 The Editor(s) (if applicable) and The Author(s) 2

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書目名稱Visual Devices in Contemporary Prose Fiction影響因子(影響力)




書目名稱Visual Devices in Contemporary Prose Fiction影響因子(影響力)學(xué)科排名




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書目名稱Visual Devices in Contemporary Prose Fiction網(wǎng)絡(luò)公開度學(xué)科排名




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書目名稱Visual Devices in Contemporary Prose Fiction被引頻次學(xué)科排名




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試驗

sruptions to how a traditional page ‘should look‘ can have a large impact on the reading process. The book critically engages with the visual appearance of graphically innovative contemporary prose fiction.978-1-137-46736-2

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The Editor(s) (if applicable) and The Author(s) 2016

epinephrine

,Case Study 1: Raymond Federman’s , (1992),This case study demonstrates the effectiveness that an understanding of the implications of visual devices on the pages of prose fiction has in assisting interpretations of graphically disruptive prose fictions. It conducts a sustained close reading, analysis and interpretation of the postmodern writer, Raymond Federman’s . . (1992).

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nonchalance

Book 2016This book acknowledges that the reader of a novel looks at and sees the page before they begin to read any text placed upon it. Thus, any disruptions to how a traditional page ‘should look‘ can have a large impact on the reading process. The book critically engages with the visual appearance of graphically innovative contemporary prose fiction.

nerve-sparing

https://doi.org/10.1057/9781137467362Graphic Narrative; Multi-modal fiction; Experimental literature; Avant-garde literature; Reading process

subordinate

Reading Textual Gaps, characteristic of all prose fiction. Equally, blank space (literal gaps in between the text on the page) has always been a common feature on the page, in between words, in the margins, and at the end of chapters.

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