Titlebook: Visual Catalog: Greg Lynn‘s Studio at the University of Applied Arts Vienna; Kristy Balliet,Brennan Buck Book 2010Latest edition Springer-

愛哭

Programmed Pochels of inferiority and a distinct but integral relation between one space and the next. To occupy programmed poche is to feel other volumes pressing in from all sides; to be simultaneously aware not just of the room you are standing in, but also its neighbors. But beyond its phenomenological effects,

Flagging

減震

Panacea

柏樹

grovel

Creases, crossing from one panel to another or merging with a seam to produce ambiguity that ties parts of the car body together. Unlike folds, creases tend to emerge from and die into smooth surfaces. Their visual power is too weak to produce the clear figure of iconography; the supplest of surface effects, creases generate only affect.

Infant

Obituary

Grandstand

endocardium

Figural Structureits proximity to iconography but also has more potential to skirt the problem. Through added depth and pattern across the surface, figurai structure allows for more ambiguous patterns that evolve as the viewer moves and perform through rhythm, counterpoint and a richer array of visual or non-visual phenomena.