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Titlebook: Visions and Voice-Hearing in Medieval and Early Modern Contexts; Hilary Powell,Corinne Saunders Book 2021 The Editor(s) (if applicable) an

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發(fā)表于 2025-3-21 20:00:44 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Visions and Voice-Hearing in Medieval and Early Modern Contexts
編輯Hilary Powell,Corinne Saunders
視頻videohttp://file.papertrans.cn/984/983640/983640.mp4
概述Examines texts and sources from 1100 to 1700 including literature, art, medical writings, natural philosophy, and theology.Challenges contemporary perspectives on voice-hearing.Offers a timely interve
叢書(shū)名稱(chēng)Palgrave Studies in Literature, Science and Medicine
圖書(shū)封面Titlebook: Visions and Voice-Hearing in Medieval and Early Modern Contexts; Hilary Powell,Corinne Saunders Book 2021 The Editor(s) (if applicable) an
描述.This book examines how the experiences of hearing voices and seeing visions were understood within the cultural, literary, and intellectual contexts of the medieval and early modern periods. In the Middle Ages, these experiences were interpreted according to frameworks that could credit visionaries or voice-hearers with spiritual knowledge, and allow them to inhabit social roles that were as much desired as feared. Voice-hearing and visionary experience offered powerful creative possibilities in imaginative literature and were often central to the writing of inner, spiritual lives. ?Ideas about such experience were taken up and reshaped in response to the cultural shifts of the early modern period.? These essays, which consider the period 1100 to 1700, offer diverse new insights into a complex, controversial, and contested category of human experience, exploring literary and spiritual works as illuminated by scientific and medical writings, natural philosophy and theology,and the visual arts. In extending and challenging contemporary bio-medical perspectives through the insights and methodologies of the arts and humanities, the volume offers a timely intervention within the wider
出版日期Book 2021
關(guān)鍵詞health humanities; psychology; disability studies; visual arts; literature and science; Geoffrey Chaucer;
版次1
doihttps://doi.org/10.1007/978-3-030-52659-7
isbn_softcover978-3-030-52661-0
isbn_ebook978-3-030-52659-7Series ISSN 2634-6435 Series E-ISSN 2634-6443
issn_series 2634-6435
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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發(fā)表于 2025-3-21 23:38:45 | 只看該作者
Medieval and Early Modern Visions and Voices: Contexts and Approaches,ing inner, spiritual lives. The essays, which span the period 1100 to 1700, are shown to offer diverse new insights into a complex, controversial and contested category of human experience and to offer a timely intervention within the wider project of the Medical Humanities.
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Medieval and Early Modern Visions and Voices: Contexts and Approaches,sed at Durham University, which has complemented biomedical approaches with perspectives drawn from the medical humanities. The cultural, literary and intellectual contexts of the medieval and early modern periods offer new frameworks for thinking: such experiences were interpreted according to medi
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發(fā)表于 2025-3-22 14:48:29 | 只看該作者
,Gabriel’s Annunciation and the Problems of Angelic Voice, a function that the Middle Ages considered potentially problematic, for what does it mean to speak of ‘voice’ in terms of an angel? Medieval scholasticism considered the issue of how a non-corporeal being might achieve the production of sound; how angels would communicate with one another; and how
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Staging Conversion: Preternatural Voices and Visions in the Medieval Drama,c voices are always realised to some degree: they are embodied by corporeal actors who share the physical space with the human agents they come to haunt. With regard to visions and voices, medieval drama requires both showing . telling. For instance, in the English biblical drama there are myriad wa
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發(fā)表于 2025-3-23 06:32:49 | 只看該作者
Julian of Norwich, the Carrow Psalter and Embodied Cinema,stians, however, were more likely to have multi-sensory encounters, often triggered by intensely affective gazing upon devotional artefacts. The human being, argues Hans Belting, is a ‘living organ for images’: visionary encounters set devotional art in cinematic motion. Visions were on a continuum
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