Titlebook: Visionary Materialism in the Early Works of William Blake; The Intersection of Matthew J. A. Green Book 2005 Palgrave Macmillan, a divisio

失望未來(lái)

Experiences of Empiricism,e responds to the . behind Reynolds’ aesthetics is doubly significant. Not only does it say something about his response to philosophical issues, which is primarily artistic, but it also indicates his sense that art, and the judgement that assigns it value cannot be disentangled from the philosophic

殘酷的地方

The Tree of Mystery,ality depends upon systems of impoverishment and inequity, pity requires forced deprivation and mercy can only exist as long as there is suffering in the world. The first stanza consists of two couplets, in which the first lines name a Christian virtue and indicate its contingency upon the anti-Chri

手銬

propose

古董

obnoxious

Book 2005 The Intersection of Enthusiasm and Empiricism proposes a radical new reading of his early works, that sees them taking enlightenment ideas to heights never dreamed of by Locke and Priestley. Drawing on a careful analysis of key figures from both sides of the enlightenment/counter-enlightenment divi

Foment

懶惰民族

鐵砧

The Sublime Act,, via Swedenborg, comes to be associated with love and desire. However, it is in Lavater’s ., which, as Viscomi suggests, served as a model for . (., p. 195), that Blake encounters a succinct description of the relation between essence and external form as it manifests itself in unity and variety.

小淡水魚(yú)

Book 2005de (including Boehme, Swedenborg, the Moravians, Lavater, Brothers, Erasmus Darwin), the discussion traces an alternative tradition that disrupts previous assumptions about important aspects of Blake‘s thought.