Titlebook: Vision and Rhetoric in Shakespeare; Looking through Lang Alison Thorne Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Lim

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LUCY

order to construct rhetorical equivalents for visual perspective. Through a detailed comparison of art and poetic theory in Italy and England, Thorne shows how perspective was appropriated by English writers, who reinterpreted it to suit their own literary concerns and cultural context. Focusing on

COLIC

令人不快

shows how perspective was appropriated by English writers, who reinterpreted it to suit their own literary concerns and cultural context. Focusing on five Shakespearean plays, she situates their preoccupation with issues of viewpoint in relation to a range of artistic forms and topics from miniatures to masques.978-0-230-59726-6

不規(guī)則的跳動(dòng)

Alberti, ,, and the Process of Invention,he painter, in his pioneering treatise on the subject, to become acquainted with all the liberal arts. A working knowledge of geometry must first be acquired, for without this the painter will fail to master the technicalities of Alberti’s demonstration of Euclidean optics and how this may be applie

搬運(yùn)工

Ceremony

LAST

and the Art of Looking Diversely on the Self,ially defined self and an authentic inner being, declaring ‘I have that within which passes show, / These but the trappings and the suits of woe’ (I.2.85). This chapter will attempt to situate Hamlet’s self-assertion in the context of aesthetic developments which were then taking place in English cu

watertight,

Shuttle