Titlebook: Vision and Audience in Medieval Drama; A Study of The Castl Andrea Louise Young Book 2015 The Editor(s) (if applicable) and The Author(s) 2

Outmoded

閃光東本

gait-cycle

有機(jī)體

2945-5936 for its production of artistic objects. Discussing the spectator experience of this famed play, Young argues that vision is the organizing principle that informs this play‘s staging, structure, and narrative.978-1-137-44607-7Series ISSN 2945-5936 Series E-ISSN 2945-5944

Charlatan

有常識(shí)

Vision, Visuality, and the Audience,ge of a central crenelated tower, that no person should sit there, “for lettynge of syt, for ther schal be the best of all.”. While revealing something of how medieval audiences may have vied for the best position at the risk of impinging on the action, this note complements instructions on the plac

arrogant

Mechanics

Angelic Visions,nus marks a new phase of visual adjustment. The eyes of the audience that were directed to the peripheries, are now enticed to the center. This chapter explores how Humanum Genus builds up his visual relationship with the audience, only to destroy it, as a sign of his moral corruption. Humanum Genus

Entropion

The Castle of Light,ntual entrance to the castle and meeting with the virtues at line 1696. After the last of the sins—Accidia (Sloth)—has ascended to Covetousness’s scaffold in the northeast at the request of Humanum Genus, Humanum Genus summarizes his situation as thus:

尖酸一點(diǎn)