Titlebook: Virginia Woolf’s Bloomsbury, Volume 2; International Influe Lisa Shahriari,Gina Potts (Literature) Book 2010 Palgrave Macmillan, a division

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FRONT

,Woolf’s Political Aesthetic in “To Spain”, ,, and ,ve the effect of distorting the artist’s angle of vision, she nevertheless declares in her essay “The Artist and Politics” (posthumously published along with “The Leaning Tower” in . that the artist is by no means independent of society; indeed, she writes, ‘intellectually [ … ] he depends upon society’ (., p. 227).

fidelity

招惹

危機

Who Let the Dogs Out? Samuel Johnson, Thomas Carlyle, Virginia Woolf and the Little Brown Dog, in the garden of Monks House (where Woolf’s ashes were scattered); another stands in the National Gallery. The original plaster cast is at Charleston, the Bloomsbury Group House preserved by the nation just as Thomas Carlyle’s Chelsea house has been preserved, itself the focus of another of Woolf’s London essays, “Great Men’s Houses” (1932).

Moderate

歌曲

Woolf in Wartime, and Townsend Warner Too,started in 1914 until — and beyond — her death in 1941. Long before and up to the onset of the 1939–45 war, warfare set Italy against Abyssinia, Japan against China, Franco against the elected Government in Spain, to name only some of the major conflicts. And brooding over the whole period was the h

慢慢沖刷

,Virginia Woolf, ‘Patriotism’, and ‘our prostituted fact-purveyors’,which I read at breakfast and wonder how this preposterous masculine fiction [the war] keeps going a day longer [ … ] Do you see any sense in it?’ (.2, p. 76). Woolf’s question has been with us for the last four years, as we struggle, in this age of ‘information’, with our expanded media: newspapers

Antagonism

擁擠前