Titlebook: Virginia Woolf, Literary Materiality, and Feminist Aesthetics; From Pen to Print Amber Jenkins Book 2023 The Editor(s) (if applicable) and

加花粗鄙人

‘Getting the past to shadow this broken surface’: Time, Materiality, and Aestheticsl for lost stories to be re-established within dominant cultural narratives. In these works, particularly in her memoir ‘Sketch of the Past’, Woolf outlines an interconnected theory of aesthetics that draws upon common and shared experiences, which can generate new forms of art that work to disrupt conventional or prescribed modes of being.

專橫

2661-8273 erial context of production and the literary text.Argues tha.This book interrogates the?relationship between the material conditions of Woolf‘s writing practices and her work as a printer and publisher at the Hogarth Press. In bringing to light her embodied literary processes, from drafting and comp

舉止粗野的人

‘The cold raw edge of one’s relinquished pages’: Reading , as a Palimpsestwhich reinforces Woolf’s theory of textuality as mutable and borderless. Turning to the published editions of the novel, I highlight echoes of former textual states and how this relates to the aesthetic concerns of the novel, such as the intersection of the past within the present, and the trauma of the First World War.

DAMP

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啜泣

Conversations in Colour and Ink: Feminist Aesthetics in ‘The Mark on the Wall’ and perimentation in the art of book-design as an adolescent, to her hand-printing and binding during the early years of the Hogarth Press. It foregrounds the continuity between Hogarth books and Virginia Stephen’s adolescent binding practices. In doing so, the chapter works to centralise Woolf as instr

Working-Memory

能量守恒

‘The cold raw edge of one’s relinquished pages’: Reading , as a Palimpsestrary commitments during the composition of the novel. This chapter examines this unusual approach and how the resultant manuscript and subsequent published texts can be read as palimpsests in which different textual states reverberate. The manuscript also defies textual and intertextual boundaries,

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