Titlebook: Virginia Woolf and the Modern Sublime; The Invisible Tribun Daniel T. O’Hara Book 2015 The Editor(s) (if applicable) and The Author(s) 2015

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km from Dhaka. A 50:50 joint venture between the Grameen Bank of Bangladesh (Grameen Bank) and Groupe Danone of France (Danone), Grameen Danone was modeled as a "social business enterprise (SBE)." This unique concept was propounded by Prof. Muhammad Yunus, Nobel Laureate and founder of the Grameen B

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Like Giving Birth to a Dead White Star: An Introduction to the Modern Sublime in Virginia Woolf,irst on Pater’s definition of romanticism as beauty imbued with strangeness to set up a discussion of Freud’s uncanny, a self-preserving doubling. Woolf’s work demonstrates a modernist sublime that takes the form of, at once, pure receptivity and pure power as the outcome of an uncanny identification between author and reader.

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Like Giving Birth to a Dead White Star: An Introduction to the Modern Sublime in Virginia Woolf, Woolf. Through an act of identification and doubling that occurs between Woolf and previous thinkers, and then again between author and reader, the modernist sublime is characterized as the apparent paradox that results from the fusion of irony and the sublime within the imagination. O’Hara calls f

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The Uncanny Muse of Creative Reading: On the New Cambridge Edition of ,s. Author, reader, and characters participate in reformative play. Sublime crisis is the impetus for discovering the latent impression of the future residing in the past. Following a brief review of Hegel’s dialectical self-making O’Hara shows the symbolic “god-image” as nexus where community and in

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The Self-Revising Muse: On the Spirit of the Unborn Creator in ,horism is used to establish a conception of sincere irony, which is further demonstrated in Wallace Stevens’s “Earthy Anecdote,” to show the sincere irony of the modernist period arises from the dialectic of imagination and reality. O’Hara explains that through her looking-glass theory, Woolf embrac

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The Self-Revising Muse: On the Spirit of the Unborn Creator in ,y of the author combined with the “inner light” of the reader enable the conditions for genius. O’Hara argues that Woolf expands Coleridge’s notion of the androgynous genius to a mutual and self-revising position of both sexes.