| 書(shū)目名稱 | Violeta Parra’s Visual Art | | 副標(biāo)題 | Painted Songs | | 編輯 | Lorna Dillon | | 視頻video | http://file.papertrans.cn/984/983178/983178.mp4 | | 概述 | Explores Violeta Parra’s embroideries (arpilleras), paintings and papier-maché sculptures..Considers the links between Parra’s art, music and poetry..Contains archival resources relating to Parra’s wo | | 圖書(shū)封面 |  | | 描述 | .This book explores Violeta Parra’s visual art, focusing on her embroideries (.arpilleras.), paintings, papier-maché collages and sculptures. Parra is one of Chile’s great artists and musicians, yet her visual art is relatively unknown. Her fusion of complex imagery from Chilean folk music and culture with archetypes in Western art results in a hybrid body of work. Parra’s hybridism is the story of this book, in which Dillon explores Parra’s ‘painted songs’, the ekphrastic nature of her creations and the way ideas translate from her music and poetry into her visual art. The book identifies three intellectual currents in Parra’s art: its relationship to motifs from Chilean popular and oral culture; its relationship to the work of other modern artists; and its relationship to the themes of her protest music. It argues that Parra’s commentaries on inequality and injustice have as much resonance today as they did fifty years ago. Dillon also explores the convergence between Parra’s art and the work of other modern twentieth-century artists, considering its links to Surrealism, Pop Art and the Mexican Muralism Movement. Parra exhibited in open-air art fairs, museums and cultural centre | | 出版日期 | Book 2020 | | 關(guān)鍵詞 | Violeta Parra; Arpilleras; Surrealism; Pop Art; Chilean Popular Art; Folk Culture; Latin American Art | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-38407-4 | | isbn_softcover | 978-3-030-38409-8 | | isbn_ebook | 978-3-030-38407-4 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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