Titlebook: Violent Women in Contemporary Theatres; Staging Resistance Nancy Taylor Porter Book 2017 The Editor(s) (if applicable) and The Author(s) 20

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Epilogue,thfully represented, in the ep?ilogue Taylor Porter gives two final and divergent examples of plays depicting violent women. One is Keri Healey’s . (.), which is partially autobiographical and portrays violence as genderless and homeless. At its heart, the protagonist, Daphne, finally takes vengeanc

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From Monstrous to Miraculous: Violent Mothers and Daughters at Home on Stage,violence, from a woman who engages in relatively harmless physical confrontation when highly stressed, to a woman who uses force to protect another, to a teenager inexplicably bent on controlling her mother through emotional and physical violence.

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What Happened to the Angel in the House?: The Violent Female Lover,esponses to intimate partner abuse, doing an admirable job of presenting women’s various and complex relationships to physical force. They recognize the cultural stereotypes but move audiences beyond them. Less successful is Cleage’s melodramatic play.

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Nancy Taylor Porterus system (Fischbach and Nelson, 1977), little progress has been made using invertebrate cell cultures, which remain in a relatively primitive state (Beadle and Hicks, 1985). However, during the last few years a small number of invertebrate culture systems have been developed in an attempt to solve

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