Titlebook: Violence, Narrative and Myth in Joyce and Yeats; Subjective Identity Tudor Balinisteanu Book 2013 Palgrave Macmillan, a division of Macmil

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is book answers these questions by examining modernist literature, especially James Joyce and W.B. Yeats, in the context of anarchist intellectual thought and Georges Sorel‘s theory of social myth.978-1-349-33175-8978-1-137-29158-5

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Introduction,time. You will have thus created a coherent narrative of images in which you are the main character. Think about whether your present self has already begun to melt into your future, fictional self. Which of the two is your true self? Is your future, fictional self, already guiding you to action in

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Social Myth, Material Reality, and the Aesthetico-Ideological Functions of Art, in this book are ‘belief’ and ‘disbelief’/‘unbelief’, and ‘enthusiasm’ and ‘irony’. My main interest is to see how these opposite attitudes are engendered by anarchist and syndicalist ideas, and by the political aesthetics of modernist writers which reflect these ideas, especially W. B. Yeats and J

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Social and Anti-social Aesthetic Drives in Joyce, Yeats, and Sorel,rspective. The main points in Sorel’s understanding of social myth which allow us to achieve such integration are: the view that any kind of text can be regarded as a myth, provided that it serves, for the subject of myth, as a means to envision a new and desired world to come in a revolutionary way

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W. B. Yeats, Social Myth, and Monoglossia,I seek to show how narrative is a means to create new forms of material life, indeed, a means of production of material reality. Social myth has been theorised by Georges Sorel as a form of experience in which narrative subjects join the subject of action. The subject of action or social agent uses

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