Titlebook: Violence Against Women in Early Modern Performance; Invisible Acts Kim Solga Book 2009 Palgrave Macmillan, a division of Macmillan Publishe

惡心

,Rape’s Metatheatrical Return: Rehearsing Sexual Violence in ,ime was ‘habituated’in broader legal and social arenas, and vice versa. Then, in an important aside to contemporary performance scholars, she asks: ‘what are the moral ramifications of theatre’s own scripting and virtuality?’(ibid., pp. 179–80; 167).

槍支

Sciatica

,Rape’s Metatheatrical Return: Rehearsing Sexual Violence in ,p of men in town to see a show. The story is not new; in fact, it is ‘one of the foundational narratives of medieval French theatre history’(p. 181). What is new is Enders’s emphasis on Mrs Coton as the victim of an act of violence tied, troublingly, to an act of representation. Enders goes on to ar

鋸齒狀

Geyser

Fermentation

,The Architecture of the Act: Renovating Beatrice Joanna’s Closet,out the sexual violence of space – as its central analytical object, and it marks both the culmination of, and a departure from, the work this book has done so far. I am interested in two related problems here: the spatial dynamics of sexual violation (how a female character’s locatedness on stage p

凝乳

和音

Osteons

IRATE

Kim Solgaas it matures, where questions about its future need to be answered. The Internet is no exception to this case. Often called the “next big thing” in global Internet technology, Grid computing is viewed as one of the top candidates that can shape the future of the Internet. Grid Computing takes colle