Titlebook: Vintage Luxury Fashion; Exploring the Rise o Daniella Ryding,Claudia E. Henninger,Marta Blazque Book 2018 The Editor(s) (if applicable) and

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Vintage Fashion: A Cross-Cultural Perspective,l attitudes of students of fashion from France and the UK towards fashion garments, which are not produced or representative of current trends and offering. Graphical and DAP (Draw a Picture) inspired methods are used to elicit visual representation of the understanding of this style, and more tradi

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Commercialisation and the Authenticity of Vintage Fashion,ied. The chapter utilises a practice-based approach to analyse the market of vintage fashion retailing and demonstrates how retailers, suppliers and consumers, each knowledgable in specialist areas of interest, define the buying and selling of merchandise.

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2662-1061 es an insight into the secondhand luxury and vintage fashion.Providing a critical insight into the growth of the secondhand luxury and vintage fashion industry, this book offers a compendium of business developments from across the globe, including examples from Europe, the Middle East and Asia. The

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Access-Based Consumption: A New Business Model for Luxury and Secondhand Fashion Business?,eived increased interest and implies temporarily being able to use and experience a good/service without making a transaction that transfers ownership of goods/services. A proliferation of business models has emerged that embrace the concept of ABC, all of which share one communality: a consumption

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Narrative and Emotional Accounts of Secondhand Luxury Purchases Along the Customer Journey,dhand channels than through luxury retail. Academic research has focused so far on profiling consumers and understanding the meaning they attach to pre-loved fashion purchases. Yet, little is known about emotions yielded through purchasing secondhand luxury on different distribution channels (second

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