Titlebook: Video Game Chronotopes and Social Justice; Playing on the Thres Mike Piero Book 2021 The Editor(s) (if applicable) and The Author(s), under

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Introduction to Video Game Chronotopes,ayful process of a bodily-rooted imagination. Such reading is the jouissance of the game-text, and the goal of such readings is to open up new—and sometimes unsettling—spaces of contact between players and games toward moments of contingent justice experienced by players inside and outside the game.

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The Chronotope of the Threshold in Medieval-Themed Role-Playing Games,of Bakhtin’s treatments of chronotopes—particularly the chronotope of the road and the chronotope of the encounter—as a springboard into the chronotope of the bonfire as a site of collapsing social distance among classed citizens. The chapter demonstrates how these chronotopes intersect and overlap

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The Chronotope of the Fart as , in ,me based on the fraught though crucially important value of laughter to political relation in the threshold space that disturbs the reductive logic of oppositions including parody/pastiche, public/private, intimacy/offense, masculinity/femininity, and material/immaterial. While the chronotope of the

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ndful of Nothin” (1.6), Walt, undergoing what we see to be the degrading effects of chemotherapy — his nausea keeps him from work, his hair falls out in clumps — seeks to accelerate the earnings of Jesse’s piecemeal, hand-to-hand meth deals. Walt decides they should get a contract with a mid-level d