Titlebook: Victorian Surfaces in Nineteenth-Century Literature and Culture; Skin, Silk, and Show Sibylle Baumbach,Ulla Ratheiser Book 2021 The Editor(

Antagonism

損壞

The Semantics of Surfaces: Victorian Panoramas, the Panoramic Gaze, and Thereness,luable sources for an assessment of Victorian surface perception(s) and subjectivity and arise out of the tension between materiality (of the panorama; of the text describing it) and the intangible (the imagination).

含糊

Reading Victorian Skin: Perspectives in (English) Literary/Cultural Studies and Medical Humanities, anchored in cultural and material studies, which makes it possible to expand the types of inspected materials and spotlight the practices and processes that shaped the production, circulation, and reception of knowledge about Victorian skin and its diseases.

尊嚴(yán)

Revisiting Victorian Surfaces in Recent Biopics: Imperial Hauntings in the Durbar Room,he perspective of colonial discourse analysis, the celebration of surfaces in Frears’ film is thus shown to betray neo-imperial mentalities, resonating with protracted imperialist nostalgia in twenty-first-century Brexit Britain.

旋轉(zhuǎn)一周

Afterword: Bark,f its texture. Considering bark brings out how the surfaces of trees both resemble and differ from human skin. And as with other surfaces, bark is deployed metaphorically. I conclude with the powerful metaphor of blazes cut for guidance in tree bark: the chapters in the volume likewise point to paths ahead.

MOT

How to Do Things with Surfaces: The Politics and Poetics of Victorian Surfaces, natural and constructed surfaces by taking a closer look at discourses that reflect a growing fascination with surfaces, including (pseudo-)medical treatises on physiognomy. Secondly, we focus on the politics of surface readings by scrutinizing the politics of various visual representations of Quee

孤獨(dú)無(wú)助

ALB

紡織品

Skin Deep: Reading Race in the Nineteenth-Century Novel,d readings of the body as the manifestation of an individual. Yet, even as human freedom and autonomy become central, the category of the human becomes increasingly and exclusively white. Literature returns repeatedly to the difficult problem of the racial other whose otherness is only ambiguously p

largesse

,Twinship and Tactile Anxieties in Wilkie Collins’ , (1872),’s quintessential twin novels: Wilkie Collins’ . (1872). While often dismissed as a melodramatic, neo-Gothic potboiler, . is rich in contemporary scientific discourses and also features various tropes of the emerging genre of detective fiction. Crucially, its central conflict plays out on the level