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Titlebook: Victorian Gothic; Literary and Cultura Ruth Robbins,Julian Wolfreys Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limite

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書(shū)目名稱Victorian Gothic
副標(biāo)題Literary and Cultura
編輯Ruth Robbins,Julian Wolfreys
視頻videohttp://file.papertrans.cn/983/982866/982866.mp4
圖書(shū)封面Titlebook: Victorian Gothic; Literary and Cultura Ruth Robbins,Julian Wolfreys Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limite
描述To what extent did the Gothic haunt the nineteenth century? Victorian Gothic seeks to answer this as it introduces the reader to a timely revision of notions of the Gothic in all its manifestations. The Gothic is found to haunt all aspects of Victorian literature and culture. Moreover, Victorian Gothic connects its disparate areas of research in returning repeatedly to the question of the constitution of the subject, in a study of the Victorians from the 1830s to the 1890s.
出版日期Book 2000
關(guān)鍵詞bibliography; Charles Dickens; Coleridge; corpus; design; English literature; fiction; gothic; Indian; knowle
版次1
doihttps://doi.org/10.1057/9780230598737
isbn_softcover978-1-349-41172-6
isbn_ebook978-0-230-59873-7
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2000
The information of publication is updating

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From King Arthur to Sidonia the Sorceress: the Dual Nature of Pre-Raphaelite Mediaevalism,y. With specific reference to William Morris and, to a lesser extent, Dante Gabriel Rossetti and Edward Burne-Jones, then, this essay hopes to explore the dual nature of the gothic and, more widely, of Pre-Raphaelite mediaevalism itself.
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,Apparitions Can Be Deceptive: Vernon Lee’s Androgynous Spectres,s reliance on ‘seeing’ speaks of a faith in sense impressions, that what is perceived by the senses, primarily by sight, is what is actually there. The solidity and reliability of the real world is guaranteed by sense impressions, and in the arts, especially narrative and pictorial arts, there is th
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,Gothic and Supernatural: Allegories at Work and Play in Kipling’s Indian Fiction, through knowledge, an ironic commentary upon it. Moreover, in certain tales one might claim that this supernatural absence-of-power constitutes part of an allegory depicting the unseating of the white man from his position of sovereign authority in India. That rationalism which has been the guiding
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Victor Sagethat the figure of Hitler himself was both thematized as a historical figure and represented on screen, albeit mostly in mockingly oblique guise, as puppet or automaton or as an undead vampire rising from the grave, with features borrowed from the circus, the cinema, the fairground, and the toy shop
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