Titlebook: Victorian Fiction; Writers, Publishers, John Sutherland Book 2006Latest edition Palgrave Macmillan, a division of Macmillan Publishers Limi

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The Victorian Novelists: Who were they?,Victorian novel is something that appears quite magically on the library shelf, or in the ‘Literary Classics’ section of the bookshop, found, as it were, under the gooseberry bush, the fruit of Dickens’s ‘genius’ or George Eliot’s ‘moral sensibility’ or Thackeray’s ‘satire’ or Henry James’s ‘a(chǎn)rt’.

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The Woman in White, 1860). . was received by its first readers as a distinctly novel kind of novel. Specifically it was the originality of device that excited Collins’s contemporaries and kept readers like Thackeray—someone who yawned over most popular fiction—turning pages ‘from morning till sunset’.. The same origin

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,Dickens’s Serializing Imitators,. Specifically the subject is that mode of serialization pioneered by Dickens in April 1836 with his first novel, and which he was still triumphantly practising in September 1870, the month of his death. A majority (nine) of his novels came out this way. The features of Dickensian serialization can

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Eliot, Lytton, and the Zelig Effect,wentieth-century history: with Lenin before the storming of the Winter Palace, on the podium at the Nüremberg rally with Hitler, with Freud behind the couch as he makes his great discovery about psychoanalysis. But, mysteriously, history (outside the film) has never recorded Zelig’s existence. Poste