Titlebook: Veronica Forrest-Thomson; Poet on the Peripher Gareth Farmer Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 French structur

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The Reluctant Radical: ,-, and Uncollected Early Poems,ility about the codes, manners and grammars of poetic production were honed in a context of radicalism that she simultaneously espoused and rejected. Farmer ends by suggesting that Forrest-Thomson’s peripheral status gave her poetry and poetic theory its particularly potent force.

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,Control and Excess in the Quest for ‘Writing Straight’, a range of archival and unpublished materials, reveal them as stages towards lyrical complexity and speaking ‘straight’. Farmer concludes with an in-depth discussion of how Forrest-Thomson’s poem ‘Richard II’ reconciles some of her theoretical ambitions with her poetic practice.

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,Coda: The Risks of ‘Freedom, Truth and Skill’,a creative integration of traditional and experimental techniques, concluding that the poem, ‘In Memoriam’ captures her late modernist admixture of humour and despair, and her deft illustration of the capacity of conventional poetic form to distil lyrical sentiment.

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2634-6052 contemporary theory.Highlights the connections between Forre.This study offers a comprehensive examination of the work of the young poet and scholar, Veronica Forrest-Thomson (1947-1975) in the context of a literary-critical revolution of the late sixties and seventies and evaluates her work against

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Introduction: Poet on the Periphery,he relevance of her poetic theory and poetic practice to select contemporary poetic debates. Farmer argues that Forrest-Thomson’s work offers unique perspectives on a period of twentieth-century British literary studies when French structuralism began to be widely read, and suggests that she was the

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The Reluctant Radical: ,-, and Uncollected Early Poems,ssessing a number of Forrest-Thomson’s early poems, Farmer suggests that their hyper-self-reflexivity provide commentary on the value and veracity of poetic form. As with her later work, Farmer argues that these early poems directly engage with a range of literary-critical debates, with identity pol

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