Titlebook: Vanbrugh and Farquhar; John Bull Textbook 1998Latest edition John Bull 1998 comedy.comic.stage.theatre

背心

dilute

,Vanbrugh’s , and Other Adaptations,ly misleading sense of his place in his contemporary theatre. In addition to the incomplete ., he was responsible (or, in the case of ., partly responsible) for nine other plays. To ignore them is to misunderstand the nature of his achievement and, also, the particular role that he saw for himself a

Aids209

,Farquhar’s , and Other Plays, seeing the writing of plays as virtually incidental to his other careers, Farquhar’s attitude was straightforwardly economic. He wrote to support himself. Indeed, formulaic though it is, it is not difficult to see his very first play, . ., which was first produced at Drury Lane Theatre at the end o

等待

,Farquhar’s , and ,d to the play in performance, and it was to be more than three years before he returned to the stage. In 1703 Farquhar married Margaret Penell, a widow with two children. He did so, apparently, expecting that the lady would come with a fortune; but if this was the case then the playwright found hims

忍受

SYN

Textbook 1998Latest editions, reflect the larger changes that British society was undergoing as it began to define a modern world.The renewed interest in their work, and the frequent revivals of it on stage, comes not just from an admiration of their reinvigoration of the comic mode, but from their clear articulation of the s

暴露他抗議

有權(quán)威

Textbook 1998Latest editionense of an old world in conflict with a new.In his exciting new study of the two playwrights, John Bull locates their work both in the context of their own times and in the larger history of theatrical production.

periodontitis

f the comic mode, but from their clear articulation of the sense of an old world in conflict with a new.In his exciting new study of the two playwrights, John Bull locates their work both in the context of their own times and in the larger history of theatrical production.

Barter