Titlebook: Values of German Media Users; 1986 - 2007 Merja Mahrt Book 2010 VS Verlag für Sozialwissenschaften | Springer Fachmedien Wiesbaden GmbH, Wi

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ingestion

Nonthreatening

尖叫

What Are Values?,992). They are part of many theories, from psychological approaches to personalities and individual differences, to studies of social learning and socialization, to comparative studies of cultures, to theories of (political) modernization and human development. Subsequently, the literature on values

欲望

ETHER

Values and Media Use among the Highly Educated,t. I assume that education could be an important contingent condition here—the more educated an audience member is, the more he or she should be familiar with the intricacies of the media landscape, its diversity and changes, and the more accurate his or her concept of values in the mediated offer s

陳舊

Values and Genre Preferences,ell differ across types of programs, times of the day, week or even year. “Channel effects” continue to influence users in their choices, which could be due to an editorial policy, principally furthering specific values. But most media outlets are probably not that monolithic in terms of the values

高原

Channel Loyalty and Genre Preferences,hich the preferences themselves could be intertwined with values. Taking up my previous discussion, values could, for one thing, be linked to genre preferences which in turn could be linked to the preference for channels that present these genres more (or less) frequently. So, an additional, indirec

評(píng)論性

Conclusion,Walter, 2006). Yet, on such occurrences arguments have rarely, if at all, been based on reliable information about differences in televised values. Nor have values of the . of channels or genres been considered. This study offers a starting point for such an endeavor. The systematic analysis of valu

群島

Book 2010ion of the dual system in 1984. Yet, on such occurrences arguments have rarely, if at all, been based on reliable information about differences in televised values. Nor have values of the audience of channels or genres been considered. This study offers a starting point for such an endeavor, focusin