Titlebook: Value Construction in the Creative Economy; Negotiating Innovati Rachel Granger Book 2020 The Editor(s) (if applicable) and The Author(s),

malfeasance

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tic-douloureux

Panacea

HACK

拾落穗

A Cloth to Wear: Value Embodied in Ghanaian Textileshe materiality of the Kente cloth. The chapter argues strongly that Kente belongs to the fashion domain given the primacy of innovation in design as aesthetic value interpretations. At the same time, the chapter demonstrates the importance of continuity with the past as a connection to identity and sense of place.

CLAN

用手捏

Value Transformation: From Online Community to Business Benefitl economy and to new emergent forms, the value of this important creative form remains largely undocumented. Drawing on empirical data, this chapter examines the value associated with economic, cultural, social and symbolic capital of Let’s Play as an emergent creative form.

invert

Conclusion: Value Constructs for the Creative Economyprocess, and -power. Framing the different viewpoints of the creative economy through performance uncovers new vocabulary, which is outlined and examined: seeing, revealing, reinforcing, connecting, belonging, accumulating, resonating, expanding, sustaining, and converging.

心痛

2662-1266 ning in the creative and cultural industries.Includes a numb.The book provides a critical and integrative analysis of value as it pertains to different aspects of creative and cultural industries. The notion of ‘value‘ – a frequently used but rarely considered term – ?is deconstructed and considered

提升

Exploring Value in the Creative and Cultural Industriese workplace, and even society. The drive to become creative is to adopt a productionist lens in which the primary objective is to harness—or more literally, to convert—cultural capital for economic (capital) gain. Reducing complex aspects of the creative economy into simple, economic configurations