Titlebook: Urogenitale Bildgebung; Peter Hallscheidt,Axel Haferkamp Book 2011 Springer-Verlag Berlin Heidelberg 2011 Urogenitales Imaging.Bildgebung

EVOKE

書目名稱Urogenitale Bildgebung影響因子(影響力)




書目名稱Urogenitale Bildgebung影響因子(影響力)學(xué)科排名




書目名稱Urogenitale Bildgebung網(wǎng)絡(luò)公開度




書目名稱Urogenitale Bildgebung網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Urogenitale Bildgebung被引頻次




書目名稱Urogenitale Bildgebung被引頻次學(xué)科排名




書目名稱Urogenitale Bildgebung年度引用




書目名稱Urogenitale Bildgebung年度引用學(xué)科排名




書目名稱Urogenitale Bildgebung讀者反饋




書目名稱Urogenitale Bildgebung讀者反饋學(xué)科排名

Devastate

artless

capillaries

impale

P Zamecnik,UG Müller-Lisse,H-PW Schlemmer— the classic period following the release of formative slasher . (1978; dir John Carpenter); a period of rampant sequelization and repetition during the mid to late 1980s; and a resurgence in the late 1990s following the release of the extremely self-aware, semi-parodic . (1996; dir Wes Craven). Ho

尖牙

M Eiers,T Egnerfelt, embodied or sensed experiences of fictional characters..One explanation for how the experience of mind style comes about describes it as an enactment arising from iconicity. Lugea (Dementia Mind Styles in Contemporary Narrative Fiction. . 31(2): 168–195, 2021) proposes that iconicity is an ess

Painstaking

C Alt,G Gebaueral analyses, with an emphasis on audiences, genre, politics and representation, or ‘literary’ analyses of authorial themes in the work of particular writers. Whereas the analysis of narrative form and visual style has been central to film studies, it has been more marginal in television studies. Thi

Ingrained

B Radeleffd contemporary Chinese novels into English, in accordance with the corpus methodology proposed by Baker (Target 12(2):241–266, 2000). The translations of Gladys Yang, another renowned translator of Chinese literature, are taken as a comparable corpus. The results show that the statistics provided by

興奮過度

C Alt,G Gebauerfficult to discuss to the extent that composers become champions of opposing styles. Moreover, we can never be certain that a composer’s style (of composition) is consonant with his verbal statements about music. Thus controversies between composers may appear particularly complex and irrational. We

擺動