Titlebook: Urban Transportation Planning in the United States; History, Policy, and Edward Weiner Book 2016Latest edition Springer International Publi

Needlework

Edward WeinerDirectrice of the Externat that her lover has set tip for her. The story covers fourteen years of Lucy’s life, beginning when she is fourteen years old, and living in England, and ends in the town of Villette, when she is nearly twenty-eight years old. However, Charlotte Bront? has not set the story

Airtight

Edward Weinerifferences. Indeed, the implication is that the friction between Southey and Aikin was merely symptomatic of a larger, intergenerational hostility, defined along specific familial lines, which lay at the heart of literary politics. The immediate source of Southey’s outrage was his having been suppla

靦腆

MILK

Edward Weinerulture while at the same time focusing sharply on recent studies and cutting-edge research that has advanced the field..Divided into three parts, the volume begins by defining and analyzing the concept of romantic love and interdisciplinary approach to its study in cultural context. Part II traces t

粗鄙的人

裂隙

Edward Weiner’ but includes practices, desires and?feelings that are safe and dangerous, that bring solace or erupt in violence, that lead to?salvation or condemnation, and where virtual encounters and increased internal and crossborder?mobility have altered the relationship between intimacy and (physical/emotio

Basilar-Artery

詩(shī)集

Edward Weinere attracted disciples, especially Barthélemy Prosper Enfantin (1796–1864) and Saint-Amand Bazard (1791–1832). These were the leading figures who built the cult after the master’s death, although such others as August Comte, Augustin Thierry, and the Perière brothers were also followers. The members

Fulsome

Edward Weinerth Wordsworth’s poetic project, and activated by the territorializing discourse of Watson’s poetry—with an interrupted and discomposed aesthetics, linked to failure and exhaustion, and to a less normative Wordsworth. What emerges is not the compositional power of form, but a newfound exposure or ‘un

拋射物

Edward Weinercuses the ‘careless lines’ and ‘inequality’ in Southey’s early output as the ‘faults’ of ‘a(chǎn) young and rapid writer’, while accusing his ‘critics’ of ‘a(chǎn) party spirit to aggravate’ those faults, as the by-products of a poet who was zealous ‘for a cause, which he deemed that of liberty’ (I, 55–6).