Titlebook: Urban Textures | Yves Lion; Jean-Louis Cohen Book 2005Latest edition The Editor(s) (if applicable) and The Author(s), under exclusive lice

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les. Liquid plugs and vapor bubbles are separated distinctly. The heat transfer process due to the thermally excited oscillating motion in an OHP is similar to the forced convection of a single phase oscillating flow either between the liquid phase and wall or between the vapor phase and wall. There

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ns (necessary and sufficient conditions), comparison results as well as several sufficient criteria for the nonoscillation are presented in Section 3.7. Section 3.8 is devoted to the study of oscillation of half-linear equations. In Section 3.9, we shall establish oscillation criteria by employing i

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Book 2005Latest editions on public housing and his own due to his unusual ability both to adhere work drew particular attention towards c- to and transcend the spirit of Paris—and tact with multiple local authorities in the furthermore to his ability to work with ex- practice of the particular understanding of tremely div

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re?ections on public housing and his own due to his unusual ability both to adhere work drew particular attention towards c- to and transcend the spirit of Paris—and tact with multiple local authorities in the furthermore to his ability to work with ex- practice of the particular understanding of tremely div

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w how to take him. ‘They laugh angrily at his epigrams’, said Shaw, reviewing the first performance of ., ‘like a child who is coaxed into being amused in the very act of setting up a yell of rage and agony’. They did not grasp the subtlety of this wit. ‘As far as I can ascertain’ Shaw mocked, ‘I am

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cupations of the poetry into dramatic form. In addition to the poetry of 1879–80, Wilde had begun the first of these plays: ., to be followed by . in 1882–83. In both plays, Wilde seemingly turns his attention to politics and more particularly to rebellion against repressive forms of government. Anx

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cipate in a decorative regime of fin-de-siècle aesthetics and bring the fairy-tale world to life with their gleaming surfaces. I will draw on Elaine Scarry’s work on beauty and justice to show how these objects work like wands, enlivening the constructed world while at the same time enabling readers