Titlebook: Urban Gothic of the Second World War; Dark London Sara Wasson Book 2010 Palgrave Macmillan, a division of Macmillan Publishers Limited 2010

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Nightmare City: Gothic , and Wartime Spectacle in Henry Green and Roy Fuller,de central passages lined on both sides by shops. As the middle-class grew richer, new diversions emerged, particularly cafés and other semipublic spaces. These new spaces offered what Christopher Prendergast calls “a special kind of visual field, peculiarly open to the mobile gaze and unforeseen en

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,“The Rubbish Pile and the Grave”: Nation and the Abject in John Piper, Graham Sutherland and Mervyns, cemeteries and graves. I argue that literary depictions of the corpse subvert the neat memorialising performed by the British nationstate. First, I will discuss how the dead were built into a narrative of British national heroism, and then I will examine how the wartime writing of John Piper, Gra

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