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Titlebook: Urban Film and Everyday Practice; Bridging Divisions i Alexandra Parker Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Film

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樓主
發(fā)表于 2025-3-21 16:10:28 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Urban Film and Everyday Practice
副標(biāo)題Bridging Divisions i
編輯Alexandra Parker
視頻videohttp://file.papertrans.cn/944/943926/943926.mp4
概述Explores the ways in which films of Johannesburg assist residents of the city to bridge the divisions and inequalities of contemporary urban space.Examines the relationship between Johannesburg and ma
叢書名稱Screening Spaces
圖書封面Titlebook: Urban Film and Everyday Practice; Bridging Divisions i Alexandra Parker Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Film
描述While urban films often reinforce spatial stereotypes, they can also produce a resistant reading that helps transgress spatial boundaries, especially in in urban contexts where spatial inequalities and urban divisions are stark. This book reveals the nature of urban film‘s influence through the lens and space of Johannesburg.
出版日期Book 2016
關(guān)鍵詞Film; Urban; Johannesburg; Everyday practice; South Africa; Representation; Materiality
版次1
doihttps://doi.org/10.1057/978-1-137-55012-5
isbn_ebook978-1-137-55012-5
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 22:12:43 | 只看該作者
Book 2016While urban films often reinforce spatial stereotypes, they can also produce a resistant reading that helps transgress spatial boundaries, especially in in urban contexts where spatial inequalities and urban divisions are stark. This book reveals the nature of urban film‘s influence through the lens and space of Johannesburg.
板凳
發(fā)表于 2025-3-22 04:15:14 | 只看該作者
地板
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發(fā)表于 2025-3-22 12:44:58 | 只看該作者
Alexandra ParkerExplores the ways in which films of Johannesburg assist residents of the city to bridge the divisions and inequalities of contemporary urban space.Examines the relationship between Johannesburg and ma
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發(fā)表于 2025-3-22 15:49:07 | 只看該作者
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發(fā)表于 2025-3-22 23:25:05 | 只看該作者
Alexandra Parkerch to be limited, in the sense that it focuses primarily on the process of deciding whether or not to intervene in situations of SHE. I argued that this method was unsustainable because it failed to address the contextual basis upon which SHEs have developed in the past. This seemed to me an importa
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發(fā)表于 2025-3-23 01:33:30 | 只看該作者
Alexandra Parkeror heavily codified representations of what now are called LGBT people have been on the UK and US stage for over a century.. Of course, not all these representations have been positive; indeed lots of historical representations of LGBT people are deeply offensive and problematic, yet some plays do r
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發(fā)表于 2025-3-23 05:52:22 | 只看該作者
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