Titlebook: Uranium · Plutonium Transplutonic Elements; Harold C. Hodge,John B. Hursh,J. Newell Stannard Book 1973 Springer-Verlag/Berlin Heidelberg 1

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表被動

Peak-Bone-Mass

Harold C. Hodge a text—a written text—, which usually appears to be an enumerated list of operations. In addition, whenever an algorithm is applied to a specific set of numerical values, practitioners derive from its text a sequence of actions, or operations, to be carried out. In the execution of the algorithm, t

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C. L. Yuileg possesses certain advantages such as simple network structure, short training time and strong generalization ability, it is a new and promising framework for textual emotion classification in artificial intelligence. As a result, how to combine deep and broad learning has become a new trend of tex

摘要記錄

N. L. Spoor,J. B. Hurshf the nature of metonymy; my aim in this book is to take metonymy beyond these confines and investigate the textual potential of the trope. I therefore propose a semiotic approach to metonymy to account for the three-dimensional aspects of the trope, arguing that metonymy is not only a process of su

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死亡率

political texts, literature and media translations. Empirical Translation Studies (ETS) represents one of the most exciting fields of research. It gives emphasis and priority to the exploration and identification of new textual and linguistic patterns in large amounts of translation data gathered i

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J. N. Stannardpter discusses on Thesaurus of N-gram content. This is generated using the content from web documents for expanding the query. The TAG of HTML pages are parsed, and the text present within the TAG is assigned weight based on the nature of TAGs. The total weight for these texts is calculated as the s

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Janet Vaughan,Betty Bleaney,David M. Taylortivation and presents concrete examples.With a systematic an.This book provides a complete framework for the fundamental concepts and results of texture spaces and its applications. The principal aim is to present a comprehensive arguments due to connections among the textures, fuzzy sets and rough

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W. J. Bair,J. E. Ballou,J. F. Park,C. L. Sanders and therefore feel, lived-in (LoBrutto, 1992: 29), and is entirely relevant to discussion of the film and its affect. In the Introduction I described the film as prominently textured, and strikingly affective, while being difficult to account for in terms of its affect. This is at least in part bec