Titlebook: Unity in Hardy’s Novels; ‘Repetitive Symmetri Peter J. Casagrande Book 1982 Peter J. Casagrande 1982 David Herbert Lawrence.English literat

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was pleased to read in the concluding paragraph in a recent paper (Horn, 1978, p. 429): “I began with questions; I have ended with questions. It is a measure of progress that the two lists of questions are different.”

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https://doi.org/10.1007/978-1-349-05327-8David Herbert Lawrence; English literature; English Studies; fiction; John Keats; Narrative; naturalism; no

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,Conclusion: ‘One Man’s Literary Purpose’,venty-one, looked back over his literary labours and defended them as an impressionist thinker’s attempt to tell the truth about the nature of human existence in the only way his temperament and experience enabled him to tell it:

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Introduction,pattern we can discern a unity, that is, a number of structural and thematic kinships and concerns that can help us to view the novels as parts of a single process and as expressions of a particular temperament. This approach to Hardy’s fiction began some years ago as an attempt to describe the moti

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,Hardy’s Deterioristic Mode of Regard,iterary questions: how does the experience of an author dictate or shape his art? It is a question made almost impossibly difficult by the word ‘experience’, by which can only be meant the totality of an author’s perceptions. There must be, we know, as many answers as there are authors and possible

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