| 書(shū)目名稱 | Understanding CCI through Chinese Theatre | | 編輯 | Haili Ma | | 視頻video | http://file.papertrans.cn/942/941326/941326.mp4 | | 概述 | Identifies the CCP’s role as the ‘central bank’, in driving forward Chinese CCI.Argues that China’s CCI development of traditional performing arts mirrors that of the CCP.Aims to bridge Western and Ch | | 圖書(shū)封面 |  | | 描述 | .This book examines the development of Cultural and Creative Industries (CCI) in China through the angle of Chinese Theatre, .xiqu.. It focuses on the political and socio-economic transition period at the turn of the?21.st.?century, as China evolves from ‘Made in China’ to ‘Created in China’, highlighting associated class reconstruction and cultural production and consumption. There are many forms of Chinese Theatre, the most popular one throughout Chinese history to date is the sing-song drama, collectively refers to as .xiqu., which currently has over 300 regional styles across China. In 2014, President Xi Jinping’s?.Beijing Talk on Arts and Literature., which serves as China’s latest Chinese Communist Party (CCP) ideological direction and cultural policy, stressed that ‘the future of Chinese cultural and creative industries is to be anchored on traditional art forms, such as .xiqu.’. Such Chinese cultural and creative industry distinction will be addressed in this book.. | | 出版日期 | Book 2024 | | 關(guān)鍵詞 | Chinese opera; Chinese cultural industries; Chinese creative industries; CCI; Chinese Communist Party; tr | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-031-45874-3 | | isbn_softcover | 978-3-031-45876-7 | | isbn_ebook | 978-3-031-45874-3 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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