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Titlebook: Uncanny Perspectives in Literature and Culture; Texts, Images, Exper Gabriele Biotti,I. Vinitha Chandra,Nacera Haouchin Book 2024 The Edito

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11#
發(fā)表于 2025-3-23 11:57:45 | 只看該作者
Yoko Tawada’s ,: An Aesthetic Leap Toward a Queer and Uncanny Ecologyors (through a western looking-glass) Yoko Tawada’s topsy-turvy portrait of . in an age of post-nuclear affairs. The work of the American artist always succeeds in making its spectator feel uneasy, for what the reader views is both strange and familiar, or both home-like and unwelcoming, obliging he
12#
發(fā)表于 2025-3-23 17:15:43 | 只看該作者
Documenting Pain Through Love, “Tomoko and Mother in the Bath” by W. Eugene Smithd John Berger. And yet, this uncanny image of pain and love, reminiscent of Michelangelo’s Pietà, remains a mystery in many ways. Did Smith ask Tomoko and her mother to pose like the Virgin Mary and Jesus?in?Michelangelo‘s masterpiece, or did he capture them in a spontaneous embrace? How can?the ima
13#
發(fā)表于 2025-3-23 19:04:39 | 只看該作者
14#
發(fā)表于 2025-3-24 00:56:17 | 只看該作者
Thin Places, Other Worlds, and Visual Layering in Cinemahis film displays a ghostly figure interfering with a family’s meal through the cinematic technique of superimposition. The supernatural is therefore conveyed through a second visual layer, simultaneously of the image, yet not of the world it portrays. This can be traced further back to double expos
15#
發(fā)表于 2025-3-24 04:39:21 | 只看該作者
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發(fā)表于 2025-3-24 07:45:14 | 只看該作者
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發(fā)表于 2025-3-24 12:13:29 | 只看該作者
18#
發(fā)表于 2025-3-24 15:19:14 | 只看該作者
The Uncanny, Unsurmountable Beliefs and Post-revolutionary Mexico in Juan Bustillo Oro’s , (1934)ng to a profoundly Catholic audience?vis-à-vis?a liberal?government. This?reading of . is built upon one of Sigmund Freud’s signature notions: the uncanny, concept dating to at least 1919, and?serves not only to nuance our understanding of Freud’s reception in Mexico, but also illustrates the?contra
19#
發(fā)表于 2025-3-24 22:03:03 | 只看該作者
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發(fā)表于 2025-3-25 00:10:47 | 只看該作者
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