Titlebook: Umberto Eco, The Da Vinci Code, and the Intellectual in the Age of Popular Culture; Douglass Merrell Book 2017 The Editor(s) (if applicabl

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The Gruppo 63 and the Italian Neo-avant-garde,the avant-garde and the role of education in the development of the traditional elite in relation to the expansion of education following the Enlightenment and the rise of popular culture. The avant-garde reaction to the mass media in postwar Italy is considered through its provocative focus on lang

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The Aesthetics of Superman and Charlie Brown,g role in the academic analysis of the products of popular culture. Eco analyzes Superman comics in relation to the hero in classical mythology and how the Superman comics reaffirm an uncritical perspective on contemporary culture, and contrasts this with the critical value of the cartoons of Jules

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The Semiotic Species: A Grand Unified Theory of Culture,ccurred over time, as well as a personal and methodological portrait of the two co-founders of semiotics, the Swiss linguist Ferdinand de Saussure and the American pragmatist Charles Sanders Peirce. Eco’s preference for Peirce over Saussure is considered in relation to Peirce’s concepts of “interpre

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Book 2017lectual who communicates his ideas to both an academic and a popular audience. It describes Eco’s intellectual development from his childhood during World War II and student involvement as a Catholic youth activist and scholar of the Middle Ages, to his early writings on the "openness" of modern wor

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