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Titlebook: Uday Shankar and His Transcultural Experimentations; Dancing Modernity Urmimala Sarkar Munsi Book 2022 The Editor(s) (if applicable) and Th

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發(fā)表于 2025-3-21 17:03:46 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Uday Shankar and His Transcultural Experimentations
副標(biāo)題Dancing Modernity
編輯Urmimala Sarkar Munsi
視頻videohttp://file.papertrans.cn/941/940278/940278.mp4
概述Examines the transcultural journey of Indian dancer / choreographer Uday Shankar.Presents the first detailed analysis of Shankar’s dance techniques and choreography.Explores the absence of critical di
叢書(shū)名稱Transnational Theatre Histories
圖書(shū)封面Titlebook: Uday Shankar and His Transcultural Experimentations; Dancing Modernity Urmimala Sarkar Munsi Book 2022 The Editor(s) (if applicable) and Th
描述This monograph presents a specific experience of modernity within the context of Indian dance by looking at the transcultural journey of Indian dancer / choreographer Uday Shankar (1900b – 1977d). His popularity in Europe and America as an Oriental male dancer in the first half of the 20th century, and his worldwide recognition as the Ambassador of Indian culture, are brought into a historiographical perspective within the cultural and social reforms of early twentieth century India. By exploring his artistic journey beyond India in the period between the two world wars, and his experience of dance making, presentational technique and representation of India through various phases of his life, a path is forged to understanding the emergence of modernity in Indian dance.
出版日期Book 2022
關(guān)鍵詞Choreography; Indian Dance; Modernity; Orientalism; Uday Shankar; Masculinity; Gender; Identity; Performing
版次1
doihttps://doi.org/10.1007/978-3-030-93224-4
isbn_softcover978-3-030-93226-8
isbn_ebook978-3-030-93224-4Series ISSN 2946-5893 Series E-ISSN 2946-5907
issn_series 2946-5893
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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沙發(fā)
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,Dancing ‘Oriental’ Masculinity: Uday Shankar and His Experiments in Modern Dance,ew over the years. He is sometimes called the ‘other’ and sometimes dismissed as ‘untrained’ and mostly given no right to be remembered among the many celebrated and well-known dancers of India. His dance flourish in spite of his journey through these challenges to become an important and significan
地板
發(fā)表于 2025-3-22 05:30:43 | 只看該作者
An Attempt at Creating a Modern Institution,, and the records, reports, and newsletters of Shankar’s institution in India held at the Dartington Hall archives, have substantiated personal narratives of people who have been a direct witness to Shankar’s modern experiments in dance. In short, the chapter records the major shift in Shankar’s loc
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發(fā)表于 2025-3-22 09:16:47 | 只看該作者
Beyond the Proscenium with Dance, Magic, and Film,project to another, by some. By critics, he is seen as a person who never stuck to any project for long, shifting from one experiment to another, often?leaving behind a trail of unfinished projects or discontinued partnerships.
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發(fā)表于 2025-3-22 15:54:27 | 只看該作者
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發(fā)表于 2025-3-22 19:20:50 | 只看該作者
2946-5893 he period between the two world wars, and his experience of dance making, presentational technique and representation of India through various phases of his life, a path is forged to understanding the emergence of modernity in Indian dance.978-3-030-93226-8978-3-030-93224-4Series ISSN 2946-5893 Series E-ISSN 2946-5907
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發(fā)表于 2025-3-22 22:13:30 | 只看該作者
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發(fā)表于 2025-3-23 01:54:27 | 只看該作者
Urmimala Sarkar MunsiIS is concentrating its efforts on companies, public institutions and administrative bodies once again. The business and the products have also become more individualised and now demand more concentration on the customer.
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發(fā)表于 2025-3-23 08:06:01 | 只看該作者
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