Titlebook: Ubiquitous Music; Damián Keller,Victor Lazzarini,Marcelo S. Pimenta Book 2014 Springer International Publishing Switzerland 2014 Audio Rec

作業(yè)

書目名稱Ubiquitous Music影響因子(影響力)




書目名稱Ubiquitous Music影響因子(影響力)學(xué)科排名




書目名稱Ubiquitous Music網(wǎng)絡(luò)公開度




書目名稱Ubiquitous Music網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Ubiquitous Music被引頻次




書目名稱Ubiquitous Music被引頻次學(xué)科排名




書目名稱Ubiquitous Music年度引用




書目名稱Ubiquitous Music年度引用學(xué)科排名




書目名稱Ubiquitous Music讀者反饋




書目名稱Ubiquitous Music讀者反饋學(xué)科排名

調(diào)情

https://doi.org/10.1007/978-3-319-11152-0Audio Recording; Creativity; Festival City; Music Ecosystems; Ubiquitous Music (Ubimus)

Barrister

laparoscopy

無(wú)法解釋

PANEL

Development Tools for Ubiquitous Music on the World Wide Webed using the Emscripten compiler and discuss its features and limitations. In complement to this, we look at a Native Client implementation of Csound, which is a fully functional version of Csound running in Chrome and Chromium browsers.

乞討

記成螞蟻

outer-ear

Ubimus Through the Lens of Creativity Theoriesain-specific or general approaches to creativity, this chapter covers general creativity frameworks and music-oriented models. First, we introduce the creativity factors, magnitudes and constructs that are applicable to UbiMus research. Then we discuss the limitations of several models of creativity

intellect

Methods in Creativity-Centred Design for Ubiquitous Musical Activitiesand creativity assessment. Social, material and procedural requirements were gathered through a ten-subject planning design study. Based on these results, an interaction metaphor—time tagging—was developed to deal with a musical activity in ubiquitous contexts: localised audio mixing. We implemented