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Titlebook: UK Feminist Cartoons and Comics; A Critical Survey Nicola Streeten Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusi

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21#
發(fā)表于 2025-3-25 03:50:59 | 只看該作者
978-3-030-36302-4The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
22#
發(fā)表于 2025-3-25 09:33:04 | 只看該作者
23#
發(fā)表于 2025-3-25 13:15:59 | 只看該作者
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發(fā)表于 2025-3-25 19:27:10 | 只看該作者
The 1970s: Anger and the Humourless Feminist,inism, and Streeten considers the cartoons of Jacky Fleming as an example. The collective was a key aspect of political organisation, protest and cultural production, and the work of The See Red Women’s Workshop is presented as a case study.
25#
發(fā)表于 2025-3-25 23:41:28 | 只看該作者
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發(fā)表于 2025-3-26 01:45:35 | 只看該作者
27#
發(fā)表于 2025-3-26 05:44:12 | 只看該作者
Conclusion,ics form. The feminist movement in Britain has been a critical ingredient in the history of British women’s cartooning. This relationship has been reciprocal, with feminist cartooning a constantly visible element of the wider feminist project in Britain.
28#
發(fā)表于 2025-3-26 10:19:49 | 只看該作者
The 1990s: A New Generation,new vigour and enthusiasm. Case studies include ., ., led by younger women, and ., led by more established cartoonists. Within specific protest cartooning, professionalism becomes more evident. This decade saw the first long-form protest graphic novel by a British woman, in the form of ., self-published by Kate Evans.
29#
發(fā)表于 2025-3-26 12:36:59 | 只看該作者
30#
發(fā)表于 2025-3-26 18:42:21 | 只看該作者
Introduction, been used to do this. She establishes a definition of feminist humorous cartoons and introduces the historical context up until the 1970s. The book structure is based on a time frame of 1970–2019, chosen as representative of a significant historical period for development of feminist cartoon and co
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