| 書(shū)目名稱 | Turks, Repertories, and the Early Modern English Stage | | 編輯 | Mark Hutchings | | 視頻video | http://file.papertrans.cn/932/931110/931110.mp4 | | 概述 | Suggests that the presence of the Ottoman Empire on the early modern English stage was due to the London repertory system, rather than cultural engagement between a Christian nation and Islamic ‘other | | 叢書(shū)名稱 | Early Modern Literature in History | | 圖書(shū)封面 |  | | 描述 | This book considers the relationship between the vogue for putting the Ottoman Empire on the English stage and the repertory system that underpinned London playmaking. The sheer visibility of ‘the Turk‘ in plays staged between 1567 and 1642 has tended to be interpreted as registering English attitudes to Islam, as articulating?popular perceptions of Anglo-Ottoman relations, and as part of a broader interest in the wider world brought home by travellers, writers, adventurers, merchants, and diplomats. Such reports furnished playwrights with raw material which, fashioned into drama, established ‘the Turk’ as a fixture in the playhouse. But?it was the demand for plays to replenish company repertories?to?attract London audiences that underpinned playmaking in this period. Thus this remarkable fascination for the Ottoman Empire is best understood as?a product of theatre economics and the repertory system, rather than taken directly as a measure of cultural and historical engagement. | | 出版日期 | Book 2017 | | 關(guān)鍵詞 | Ottoman Empire and the stage; Shakespeare; Henslowe; Early Modern theatre; Turks and the stage; British a | | 版次 | 1 | | doi | https://doi.org/10.1057/978-1-137-46263-3 | | isbn_ebook | 978-1-137-46263-3Series ISSN 2634-5919 Series E-ISSN 2634-5927 | | issn_series | 2634-5919 | | copyright | The Editor(s) (if applicable) and The Author(s) 2017 |
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