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Titlebook: Topologies of Fear in Contemporary Fiction; The Anxieties of Pos Scott McClintock Book 2015 The Editor(s) (if applicable) and The Author(s)

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發(fā)表于 2025-3-21 16:53:19 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Topologies of Fear in Contemporary Fiction
副標題The Anxieties of Pos
編輯Scott McClintock
視頻videohttp://file.papertrans.cn/927/926466/926466.mp4
圖書封面Titlebook: Topologies of Fear in Contemporary Fiction; The Anxieties of Pos Scott McClintock Book 2015 The Editor(s) (if applicable) and The Author(s)
描述The central concern of the book is the impact of global terror networks and state counterterrorism on twentieth-century fiction. A unique contribution of this book is the comparative approach, as opposed to the single author focus of most of the edited collections on terrorism in literature.
出版日期Book 2015
關鍵詞Contemporary Fiction; Terrorism in fiction; Post-millennial fiction; fiction; law; novel; terrorism; time; t
版次1
doihttps://doi.org/10.1057/9781137478917
isbn_ebook978-1-137-47891-7
copyrightThe Editor(s) (if applicable) and The Author(s) 2015
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 22:08:21 | 只看該作者
Introduction: The Geography of Anger and the Diaspora of Terrorism,omparative approach, examining literary responses to terrorism and counter-terrorism in writing by contemporary Indian and U.S. authors. The 9/11 (September 11, 2001) attacks became a “master signifier” of terrorism that was echoed after the attacks by militants in Mumbai in 2008, attacks that were
板凳
發(fā)表于 2025-3-22 01:59:48 | 只看該作者
地板
發(fā)表于 2025-3-22 05:48:52 | 只看該作者
Travels Outside the Empire: The Revision of Subaltern Historiography in Amitav Ghosh,est in common with Indian historiography, during the same period, in rewriting modern Indian “national history without reproducing the categories of colonialism” (134). As Neelam Srivastava puts it, “Rushdie did for the novel what the . collective did for historiography” (85). But Mee, while giving
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發(fā)表于 2025-3-22 11:22:39 | 只看該作者
Images for a Godless World: Violence After the Sacred in the Millennial Indian Novel, chapter, since it contains the crucial terms which frame my discussion of the representation of political violence in the Indian novel of the millennium, a period whose tone is inflected, fittingly for the end of one century and the beginning of another, by the image of apocalypse, and the trans- v
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發(fā)表于 2025-3-22 15:09:45 | 只看該作者
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發(fā)表于 2025-3-22 20:38:25 | 只看該作者
,Looking Backward at Joseph McElroy’s ,: Mining Neural Neighborhoods and Social Networks in Postmodern Fiction, dystopian responses to Bellamy’s rosy late 19th century picture of late 20th century America. Readers of Bellamy will recall that the “cable telephone” is one of the technological devices shown to the novel’s Rip van Winkle protagonist, Julian West, by the Virgilian spokesman for technological prog
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發(fā)表于 2025-3-23 00:39:46 | 只看該作者
Conclusion: Four Covering Principles for the Time of Terrorism,mporary narrative, both as a “topos,” a persistent and repeating type, and how terrorist bodies appear and are inscribed in literary writing and in other discourses, including counterterrorism studies and law, has been the principal object of study throughout the book. To the extent a tradition of c
9#
發(fā)表于 2025-3-23 04:56:18 | 只看該作者
interacting with the system), or even informally asking the children questions in the middle of their TouchStory game, is not an option, so more indirect methods of inquiry and pedagogy, possibly including observational analysis will be investigated. Narrative is fundamental to understanding ourselv
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發(fā)表于 2025-3-23 07:05:55 | 只看該作者
Scott McClintockwe examine a variety of oppressive mechanisms, including ableism, racism, and transphobia, and how in combination they relate to accessing and using web content. We argue that by ensuring the accessibility of web content substantively, future researchers and practitioners can promote a more universa
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