| 書目名稱 | Tom Stoppard | | 副標(biāo)題 | The Moral Vision of | | 編輯 | Paul Delaney | | 視頻video | http://file.papertrans.cn/926/925855/925855.mp4 | | 圖書封面 |  | | 描述 | Every four or five years Britain‘s most prominent dramatist pulls out all the stops and writes a major stage play of his own. Between plays, Stoppard the craftsman does translations, screenplays, light entertainments, and work for hire. Delaney‘s book is the first to focus on the major plays. Spanning Stoppard‘s career from Rosencrantz and Guildenstern are Dead (1967) to Hapgood (1988), this study shows the figure which Stoppard from the first has been weaving in his theatrical tapestry. That there is development in Stoppard is clear but - as Delaney demonstrates - the development is from moral affirmation to moral application, from the assertion of moral principles to the enactment of moral practice. Such development from precept to praxis demonstrates organic growth rather than radical metamorphosis. Using Stoppard‘s words in a number of little-known interviews as a starting-point, Delaney shows how the major plays bear out Stoppard‘s contention that he ‘tries to be consistent about morality‘. The volume contains the most extensive bibliography and discography of Stoppard interviews (over 200 including print and broadcast sources) ever compiled. | | 出版日期 | Book 1990 | | 關(guān)鍵詞 | drama; dramatist; Great Britain; Hamlet; Macbeth; Tom Stoppard; British and Irish Literature | | 版次 | 1 | | doi | https://doi.org/10.1007/978-1-349-20603-2 | | isbn_softcover | 978-1-349-20605-6 | | isbn_ebook | 978-1-349-20603-2 | | copyright | Paul Delaney 1990 |
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