| 書目名稱 | Timbre: Acoustics, Perception, and Cognition | | 編輯 | Kai Siedenburg,Charalampos Saitis,Richard R. Fay | | 視頻video | http://file.papertrans.cn/926/925399/925399.mp4 | | 概述 | Outlines the principal perceptual processes that orchestrate timbre processing.Explores timbre as part of specific scenarios, including the perception of the human voice.Details computational acoustic | | 叢書名稱 | Springer Handbook of Auditory Research | | 圖書封面 |  | | 描述 | Roughly defined as any property other than pitch, duration, and loudness that allows two sounds to be distinguished, timbre is a foundational aspect of hearing. The remarkable ability of humans to recognize sound sources and events (e.g., glass breaking, a friend’s voice, a tone from a piano) stems primarily from a capacity to perceive and process differences in the timbre of sounds. Timbre raises many important issues in psychology and the cognitive sciences, musical acoustics, speech processing, medical engineering, and artificial intelligence. Current research on timbre perception unfolds along three main fronts: On the one hand, researchers explore the principal perceptual processes that orchestrate timbre processing, such as the structure of its perceptual representation, sound categorization and recognition, memory for timbre, and its ability to elicit rich semantic associations, as well as the underlying neural mechanisms. On the other hand, timbre is studied as part of specificscenarios, including the perception of the human voice, as a structuring force in music, as perceived with cochlear implants, and through its role in affecting sound quality and sound design. Finally, | | 出版日期 | Book 2019 | | 關(guān)鍵詞 | pitch; duration; loudness; hearing; acoustics; speech processing; artificial intelligence; cochlear implant | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-14832-4 | | isbn_ebook | 978-3-030-14832-4Series ISSN 0947-2657 Series E-ISSN 2197-1897 | | issn_series | 0947-2657 | | copyright | Springer Nature Switzerland AG 2019 |
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