| 書目名稱 | Theatre Music and Sound at the RSC |
| 副標題 | Macbeth to Matilda |
| 編輯 | Millie Taylor |
| 視頻video | http://file.papertrans.cn/923/922633/922633.mp4 |
| 概述 | Focuses on a uniquely important British company which demonstrates a consistent commitment to innovation in music/sound for theatre.Uses an interdisciplinary methodology that draws together archival r |
| 叢書名稱 | Palgrave Studies in British Musical Theatre |
| 圖書封面 |  |
| 描述 | .This book discusses an exciting laboratory that has been developing the practice of theatre music composition and sound design since 1961: the Royal Shakespeare Company. Musical practices have evolved as composers and musical directors inherited from the past and innovated with new technology; different interpretations of single plays in multiple iterations have provided a picture of developing styles, genres, working practices, technologies and contexts; actor musicianship has been practiced quietly and without fuss; and the role of the sound designer has appeared and transformed the theatrical soundscape. This book moves to musical theatre to evidence a continuum between its rich interdisciplinary textures and the musicodramatic world of Shakespeare’s plays, positioning the RSC as an innovative company that continually expands the creative and collaborative possibilities of the theatre.. |
| 出版日期 | Book 2018 |
| 關鍵詞 | Royal Shakespeare Company; Musical Theatre; Regional Theatre; Theatre and Performance; Theatre and music |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-3-319-95222-2 |
| isbn_softcover | 978-3-030-06996-4 |
| isbn_ebook | 978-3-319-95222-2Series ISSN 2946-4137 Series E-ISSN 2946-4145 |
| issn_series | 2946-4137 |
| copyright | The Editor(s) (if applicable) and The Author(s) 2018 |
|Archiver|手機版|小黑屋|
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